film analysis * eGroup Class List * movimaking online book * wikipedia
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2007 : Ch. 3 & 4 Bordwell : Wild Strawberries (compare with Kane)
7 webpages/chapters archive {"Film Analysis": Monaco, Part 3. Film Language [ & part 5. Form ]}  stanislavsky.us
Featured Pages: Film Directing After we decided WHAT to shoot; we ask HOW to shoot it (what choiced to make: the paradigmic) and HOW to present the shot (how to edit it: the syntagmatic). SummaryYes, Film must be Part II, this is the only way to get to Part III -- Theory (and Media, Monaco).QuestionsThe Classics (Bergman and Co.) twice: first -- intro, second time at the end of the semester (after studied part 3 -- theory).Not only the same names (directors), but also only one title each, if I want it to be showcases (Berman & Wild Strawberries). Notes
Godfather + Study Guide PDF "Sing - Signifier - Signified": index 5 types of motange (Pudovdkin): contrast, parallelism, symbolism, simultaneity, leftmotif. (climax in Godfather II -- how many types?) Metz in Monaco 209 Film Analysis:
Film Art
Bergman Page Wild Strawberries * script in class + fragments First Dream (storyboard), as if in THR470 Film Directing "Seven Ages of Man" (Shakespeare) & Sphinx of Oedipus. Narrative and Narrator(s) : in Kane and Dr. Borg.
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Metz: "When a 'language' does not exist, one must be something of an artist to speak it, however poorly. For to speak it is partly to invent it, whereas to speak the language of everyday is simply to use it." Monaco 163 (The Language of Film: Signs and Syntax)New subdirectory, new pages:
3. THE LANGUAGE OF FILM: SIGNS AND SYNTAX
Signs
The Physiology of Perception
Denotative and Connotative MeaningSyntax
Codes
Mise-en-Scene
The Framed Image
The Diachronic Shot
4. THE SHAPE OF FILM HISTORY
Movies/Film/Cinema
"Movies": Economics
"Film": Politics
"Cinema": Esthetics
Creating an Art: Lumiere versus Melies
The Silent Feature: Realism versus Expressionism
Hollywood: Genre versus Auteur
Neorealism and After: Hollywood versus the World
The New Wave and the Third World: Entertainment versus Communication
The Postmodern Sequel: Democracy, Technology, End of Cinema
5. FILM THEORY: FORM AND FUNCTION
The Critic
The Poet and the Philosopher:
Expressionism and Realism: Arnheim and Kracauer
Montage: Pudovkin, Eisenstein, and Formalism
Mise-en-Scene: Neorealism, Bazin, and Godard
Film Speaks and Acts: Metz and Contemporary Theory
Notes: next is film.vtheatre.net/3 -- Media + Theory *
Samples of storyboarding from Film directing class -- we will do some too (including homework).
Use your "comics experience"!
More on film-north pages!
Image/Symbol of paperweight (Kane) --
Do we know Kane? ...
@2003-2005 *  |
Film-North * Anatoly Antohin * calendar.yahoo.com/anatolant 
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