* 2007 : new directories = doc + forms
Directory since 2004? 2003

... "BEAUTY IS TRUTH, TRUTH BEAUTY." Keats

vine101.com

flickr.com/group/utopia

... filmplus.org/books

books

2009 -- ?


sellassie.info books

TOPICS: drama + comedy + postmodern + american age + self + death + script-o-rama + sex + communism + themes + subjects +
2003 : ... : 2006 : 2007 : 2008

* Find your movies at MoviesUnlimited.com *
[ advertising space : webmaster ]

Search The Internet Movie Database

Enter the name of a movie, TV show, or person and then click "Go" to get more information about it/them from imdb.com.

 

Chaplin -- "Life of A Dog" (compare with "Man with the Camera" -- secondary motion).


Hamlet (200 words): dramatic and cinematic analysis (difference).
Screening (Hamlet): exposition
Required (definitions) -- list
Test = (post on the List)

Grades for homework! [dates]

NB. Theories of mise-en-scene are associated with realism, montage -- expressionism. [newage?]

"How to Read a Film" -- Five major parts:

I. Film as Art

II. Technology

III. The Language (semio)

IV. History

V. Theory

[ should history be introduced first? ]

Part III and V are most difficult.

Rework schedule for 2005! Film Studies on the Internet Do your research!

anatoly-film

2006 * 2007 * 2008 -- chronology record for this directory is to have a "narrative"?

... NEW : 2007 : tarkovsky.wetpaint.com *** [join] new 2006 : flickr.com/groups/film-art + cinema german, italian & french
pages : SCRIPT
youtube.com/group/pomo

and

archive, including groups/class e-lists

notes page.

...


* Classes * 200X Aesthetics * Film Analysis Dir Part I Movies Language Part II Films Part III Theory * THR Books Index * Theatre w/Anatoly Theory * SHOWs * Script Analysis * Acting * Stage Directing * POV (View Points) * Film-North * Film Books * Mining Film * Film DIRECTING * Bookmark vTheatre! Mailing List & News -- subscribe yourself!
glossary * appendix * biblio * list * faq * links * popup * Make FILM w/ANATOLY your homepage -- click here!
* textbook : readfilm.com *

2006 Fall -- Film Directing

Fall 2005 UAF

How To Read a Film by Jim Monaco

movies *

1.  FILM AS AN ART 
The Nature of Art 
Ways of Looking at Art 
    The Spectrum of Abstraction 
    The Modes of Discourse 
    The "Rapports de Production" 
Film, Recording, and the Other Arts 
    Film, Photography, and Painting 
    Film and the Novel 
    Film and Theater 
    Film and Music 
    Film and the Environmental Arts 
The Structure of Art 

2.  TECHNOLOGY:  IMAGE AND SOUND 
Art and Technology 
    Image Technology 
    Sound Technology 
The Lens 
The Camera 
The Filmstock 
    Negatives, Prints, and Generations 
    Aspect Ratio 
    Grain, Gauge, and Speed 
    Color, Contrast, and Tone 
The Soundtrack 
Post-Production 
    Editing 
    Mixing and Looping 
    Special Effects 
    Opticals, the Lab, and the Post House 
Video and Film 
Projection 

3.  THE LANGUAGE OF FILM:  SIGNS AND SYNTAX 
Signs 
    The Physiology of Perception 
    Denotative and Connotative Meaning 
Syntax 
    Codes 
    Mise-en-Scéne 
        The Framed Image 
        The Diachronic Shot 
        Sound 
        Montage 

4.  THE SHAPE OF FILM HISTORY 
Movies/Film/Cinema 
"Movies": Economics 
"Film": Politics 
"Cinema": Esthetics 
    Creating an Art: Lumičre versus Méličs 
    The Silent Feature: Realism versus Expressionism 
    Hollywood: Genre versus Auteur 
    Neorealism and After: Hollywood versus the World 
    The New Wave and the Third World: Entertainment versus Communication 
    The Postmodern Sequel: Democracy, Technology, End of Cinema 

5.  FILM THEORY:  FORM AND FUNCTION 
The Critic 
The Poet and the Philosopher: Lindsay and Münsterberg 
Expressionism and Realism: Arnheim and Kracauer 
Montage: Pudovkin, Eisenstein, Balázs, and Formalism 
Mise-en-Scéne: Neorealism, Bazin, and Godard 
Film Speaks and Acts: Metz and Contemporary Theory 

6.  MEDIA:  IN THE MIDDLE OF THINGS 
Community 
Print and Electronic Media 
The Technology of Mechanical and Electronic Media 
Radio and Records 
Television and Video 
    "Broadcasting": The Business 
    "Television": The Art 
    "TV": The Virtual Family 

7.  MULTIMEDIA:  THE DIGITAL REVOLUTION 
The Digital Revolution 
The Myth of Multimedia 
The Myth of Virtual Reality 
The Myth of Cyberspace 
"What Is to be Done?" 

I  FILM AND MEDIA:  A CHRONOLOGY 
To 1895: Prehistory 
1896 – 1915: The Birth of Film 
1916 – 1930: Silent Film, the Births of Radio and Sound Film 
1931 – 1945: The Great Age of Hollywood and Radio 
1946 – 1960: The Growth of Television 
1961 – 1980: The Media World 
1981 – Present: The Digital World 

II  BIBLIOGRAPHY:  READING ABOUT FILM AND MEDIA 

Part One:  A Basic Library 
1. Film as an Art 
2. The Technology of Film and Media 
3. The Language of Film 
4A. Film History: The Economics and Politics of Film 
4B. Film History: General Historical Studies 
4C. Film History: Specific Major Periods 
4D. Film History: Genres and Specific Topics 
4E. Film History: National Cinemas 
4F. Film History: Films and Filmmakers 
5. Film Theory and Practical Criticism 
6. Media 
7. New Media 

Part Two:  Information 
8. Lists and Encyclopedias 
9. Book Bibliographies 
10. Guides to Periodical Literature 
11. Miscellaneous Guides 
12. Journals and Magazines 
13. Databases 
Creates a target location within a document Links to that target location from elsewhere in the document

appendix

MOVIES = "WILD WEST": AM directors, USA

FILMS

Glossary

An online course supplement * 2005-2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
Film-North * Anatoly Antohin * eCitations * film-north blog
© 2007 by vtheatre.net. Permission to link to this site is granted. Bookmark FILM-NORTH books.google.com + scholar.google.com
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new-2006

Summer 2006. Updating my pages...

1. keywords (right) = tags

2. images = flickr.com

3. video -- film pages (analysis classics)

4. search (use google on each page)!

5. blogs (on pages "new")

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