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playlists @ youtube.com/anatolant :
1. "masters" [bottom] 15 Videos Fellini, Tarkovsky, Kurosawa, Bergman 2. 2008 27 Videos 334 film & Movies 2008 class -- Movies & Politics final project [titles] -- compare with "W." film.vtheatre.net/2008 3. directing 17 Videos directing class 2006 -- filmplus.org/film 4. film 19 Videos film classes 2006 5. Film & Movies [class] 20 Videos Film & Movies pages @ film.vtheatre.net [next : Fall'08] 6. film HISTORY 22 Videos film.vtheatre.net/fhistory
* kino 46 Videos new pages/directory -- filmplus.org/kino Russian Cinema Century 21 * cinema-ru 6 Videos film.vtheatre.net/ru vs. KINO ? Film vs. Movie [ XX century collection ]
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HISTORY, THEORY, CASE STUDY
The Oxford History of World Cinema by Geoffrey Nowell-Smith; Oxford University Press, 1997 : for film.vtheatre.netA History of Narrative Film by David A. Cook; W. W. Norton, 1996 [questia] *
Theories of Film by Andrew Tudor; Viking Press, 1974 * - 1: Introduction - 2:: Eisenstein: Great Beginnings - 3: the Problem of Context: John Grierson - 5: Critical Method: Auteur and Genre
Concepts in Film Theory by Dudley Andrew; Oxford University Press, 1984
The Art of the Film by Ernest Lindgren; Macmillan, 1963 *
Philosophy of the Film: Epistemology, Ontology, Aesthetics by Ian Jarvie; Routledge & Kegan Paul, 1987 *
... other biblio pages : film.vtheatre.net/biblio + directing.filmplus.org/biblio +
... The Road Story and the Rebel: Moving Through Film, Fiction, and Television (Hardcover) by Katie Mills (Author) -- In The Road Story and the Rebel: Moving Through Film, Fiction, and Television, Beat studies scholar Katie Mills examines how road stories, which have offered declarations of independence to generations of rebellious Americans, have been transformed by media, technology, and social movements. The genre, which includes literature, films, television shows, and several types of digital media, has evolved, says Mills, as each new generation questions its own identity and embraces the thrill of “automobility” (autonomy and mobility) thus providing audiences a means to consider radically altered notions of independence, even as the genre cycles between innovation and commodification.
Film-North * Anatoly Antohin * calendar.yahoo.com/anatolant 
